Now and again, an advertisement comes along that tells a magical tale. Years ago, a short ad which aired during the Super Bowl featured a cancer patient whose husband supports her while a song capturing the emotion of such a connection plays (watch it here). The Coca-Cola ad featuring Pittsburgh Steeler Joe Greene tossing his jersey to a hero-worshipping boy made an impact in 1979 (watch it here).
Though I think advertising is elevated in stature by today’s mixed, partly state-sponsored economy, ads can have value. Apple‘s strikingly anti-totalitarian “1984” ad comes to mind (watch it here).
Leave it to the ingenious Elton John (The Diving Board, Made in England, The Union) to create such an ad. With the John Lewis ad agency, he’s made an indelible Christmas advertisement for his final Yellow Brick Road tour which at once combines virtues with the commercialism of Christmas.
Watch Elton John’s Christmas video
Typical of Elton John, whose triumphant, inspiring life story was the subject of one of my first chosen writing assignments, the video (watch the ad by clicking on the image at left) bucks the status quo. Elton John’s video glorifies the life-changing power of a material possession as a Christmas present. Indeed, the advertisement depicts the bestowing of a gift of extravagance. The gift, shown as both the climax and origin of an unforgettable story and larger than life career, nested in the music of one of Elton John’s most haunting and romantic songs, is exactly the type of Christmas present the anti-capitalist preachers denounce and rail against every holiday season.
Elton John’s ad goes deeper than superficial notions of commercialism. In powerful sound, melody and motion pictures, the ad dramatizes virtues such as pride and productiveness and examines introspection, proper parenting and the selfish pursuit of happiness. That Elton John’s promotional clip also echoes the season’s uniquely solitary moments, when the person who values the wholeness of a lifetime tends to ponder the memory and legacy of loved ones who are gone, speaks to its stark emotional power.
As Elton John embarks on his farewell tour, his Christmas-themed ad depicts the reflection, contemplation and thought about the meaning, value and intimacy of a life well lived and that which makes it possible … including the sacred commitment to achieving one’s values here on earth which, thanks only to capitalism, can culminate in the giving of something manmade, wanted and wonderful.
Photo of LA’s The Grove at Christmastime by Scott Holleran
Making the most of Christmas commercialism means to me finding or letting in the joy of this marvelous season. I’ve decided to round up some of my favorite things to give or receive purely for the purpose of spreading the cheerfulness, happiness and goodwill that comes this time of year. I think benevolence is all around if you know why to look — for your sake — and never let life’s turmoil go down deep. Sometimes, things help. They remind you that you matter, that you’re capable of enjoying things. Things can become a person’s project and lead to an enterprise, discovery or way to living a renewed life. I hope these tips help you and those you value have a merry Christmas.
Coffee, Shaving and Elegant Correspondence
Two of the best made products for everyday basics are the Verismo coffee machine and Harry’s razor and blades. Both are simple, efficient and streamlined for functionality. When traveling, I like to use the Photocard application, which easily and masterfully makes and sends picture postcards to send with a note through mail and/or e-mail via my iPad or iPhone.
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Similarly, give boxed notecards as gifts, too, which encourage family and friends to correspond with short, handwritten notes, which may be more personal and meaningful than text or e-mail. I recommend Crane’s stationers and Papyrus for finding the highest quality blank and themed note and greeting cards. For gift cards, I know that getting and giving Amazon, Starbucks and Apple, such as iTunes, cards (and, of course, movie theater gift cards, too) brings happiness. You can also send an individual item, such as a favorite book (Atlas Shrugged), movie (La La Land) or song (“Hello”), in iTunes and other mobile apps.
Money is always welcome, of course, though I think cash or a money card is best presented with a thought expressed in writing or recording if you deliver via modern technology. PayPal, banks’ direct payment tools such as Zelle, ApplePay and others (Square, Western Union, Facebook) offer a range of options for gifting money directly to the individual.
Movies, Movies, Movies
If you want to give a movie, investigate the recipient’s preferred format, i.e., streaming such as Hulu, Apple TV or Netflix, DVD or Blu-Ray. I suggest giving a few films if possible as a batch in a selected variety — musical, comedy, drama, classic, action — centrally based on what you have reason to think the recipient enjoys and perhaps one of your own favorites (of course, with a line about why). If that’s not appropriate or possible, choose one favorite and explain in a blank Christmas card note or gift tag what you want the recipient to gain from watching the movie. Simply writing enjoy works, too.
So does bundling. For instance, if you know a dashing or romantic youngster who appreciates civilized man as a work in progress, consider sharing the charms of Cary Grant by gift wrapping North By Northwest, Gunga Din and Charade. Go for variety in your bundles, but look for common themes in the movies. Include gift receipts in case they already have that movie. Don’t forget other classic movie stars, such as Lizabeth Scott, Katharine Hepburn and Barbara Stanwyck. Look on Amazon.com or call used bookstores to find a credible biography or memoir of the movie star to add as a relational stocking stuffer.
Movies perfect for home video gifts include family fare such as Zootopia, A Dog’s Purpose and Hunt for the Wilderpeople, all of which embed benevolent ideals in bright, gorgeously colorful films with bold yet simple strokes and a delightful sense of humor. Other good classic films for general audiences are Ted Melfi‘s Hidden Figures, Kenneth Branagh’s Cinderella and Walt Disney’s Bambi, The Jungle Book and Dumbo or his very personal and thoroughly enjoyable So Dear to My Heart, a fabulous movie which depicts the antithesis of today’s cynicism. Other movies which might be welcome to those contemplating and facing serious obstacles include Into the Woods, the Stephen Sondheim musical which skillfully depicts life’s fairy tale moments with depth and insight; Brokeback Mountain, a beautiful film (2005’s best) about secret, lifelong romantic love; The World According to Garp for its biting wisdom and incisive cultural commentary, which was way ahead of its time; and, for an uplifting and thought-provoking examination of the most radical thinker of our times, buy Michael Paxton’s Ayn Rand: A Sense of Life, now available on a new Blu-Ray edition. Mike Binder‘s Black or White, Jeff Nichols’ Loving and Stanley Kramer’s Guess Who’s Coming to Dinner are excellent movies about racial integration.
And these slavery-themed films make audiences think twice while moving them to searing emotions — leaving impressions which will last for years and prepare loved ones for forecasting, dodging and transcending what lies ahead: the artistic-themed The Lives of Others, the mythology-themed The Hunger Games, the historical epic 12 Years a Slave and the penetrating romantic tragedy We the Living.
Music is so personal that it’s hard to find the right gift. That said, I am fortunate that gifts of certain albums and songs to loved ones who’re facing certain problems add value and yield positive results. Some of my favorite gifts have been albums I never would have discovered on my own, such as favorite albums by Fleetwood Mac, Mark Knopfler and Johnny Cash. Cash’s daughter, Rosanne Cash, made a thoughtful, melodic and terrific road trip album, The River and the Thread, which I saw her perform up the Golden State freeway at the College of the Canyons Performing Arts Center in the Santa Clarita Valley. But, then, I like story-driven songwriters’ music, especially the British songwriters’ invasion.
Olivia’s battle with cancer returned this year, which reminds me that whenever someone I love is diagnosed with any form of cancer, I find value and draw strength from listening to and giving one of her extremely enlightening vocal albums, A Celebration In Song. Olivia’s playful Christmas album with her Grease co-star, John Travolta, This Christmas, is a perfect tonic for the holidays, too. One of my favorite Christmas albums is the one created by pop singer Christopher Cross. It’s really blissful, though it’s hard to find. Other fine musical gifts include vocal and instrumental music by Fred Astaire, Ella Fitzgerald and Stan Getz.
Television
As gifts, TV programming can be extremely life-affirming. For history buffs and non-fiction fans, I recommend The Marva Collins Story starring Morgan Freeman and Cicely Tyson, the fascinating and brilliantly conceived and produced American Ballet Theatre: A History and the eye-opening documentary series by Ken Burns on two of the most damaging figures in American history, The Roosevelts.
HBO’s Path to Paradise dramatizes the first attack on the Twin Towers, which provides a uniquely informative retrospective of pre-9/11 U.S. appeasement and incompetence. History Channel’s Rebuilding the World Trade Center tracks the aftermath of the September 11, 2001 attack through an absorbing account of what they call a rebuilding which is, in fact, not what it claims but is nevertheless worth watching. Though it’s a motion picture, not a TV program, if you haven’t seen it, The Walk by Robert Zemeckis is the most exhilarating movie I’ve seen in the theater. It’s an exciting capstone to the existence of the World Trade Center (1973-2001) and a proper remembrance of what were the tallest skyscrapers on earth.
Objective reporting
NBC’s This Is Us is the best new show on TV. CBS’ Escape from Sobibor, dramatizes the only mass concentration camp revolt by Jews against Nazis. Fox’s Glee and Empire and NBC’s Frasier entice and entertain in their premiere seasons if you’ve never watched. For good comedy, Eight is Enough, The Andy Griffith Show, The Carol Burnett Show, I Love Lucy, Hot in Cleveland, and most shows created by Norman Lear afford reality-based laughs that don’t incessantly snicker at values. Cold Blooded, SundanceTV’s amazing documentary miniseries about the Clutter family murders on a farm in Kansas, made infamous and wrongly glorified by Truman Capote in his true crime fictionalization, In Cold Blood, is simply one of the best TV programs I’ve seen in a long time.
Experiences
Though it can be more expensive, giving experiences in advance can be the most joyful and best Christmas gift of all. Whether a handmade certificate for a day at the park or tickets to Disneyland, the opera or a gift card for ArcLight Cinemas, this gift marks a commitment of quality time or a genuinely thoughtful recognition of the recipient’s values. If someone loves gardening, for instance, consider a pass or membership to the botanical gardens. Same goes for other hobbies, interests and favorite sports, such as season or some tickets to the ballpark to see the National League champion Dodgers at Dodger Stadium, or the arena to see the Kings.
Whatever you give or receive, I think the best gift is the one which fits what the person wants. If you think about a favorite or deserving colleague, client, friend, contractor, neighbor or loved one, you probably know, have seen or have some general sense of what lights him up and makes him smile. The best gift could be treating the kids to ice cream, so a Baskin-Robbins gift card might be a good idea. It could be a new tie, scarf, print, beverage or floral bouquet or plant or new album, tool or machine. Consider giving dinner for two at a swanky restaurant to grant someone reprieve. Think in terms of his or her favorite places, wide-eyed tales of want and treasured experiences. Then, go for it.
Have a good time shopping if you can and do and here’s hoping my readers get what they deserve…and wishing you a Merry Christmas and the best of everything in 2018.
By satirizing the coarsened culture’s vulgarity, Office Christmas Party, like Ant-Man and Deadpool, uses wit and crude comedy to score a point about simple human decency. It’s disgusting and it’s preposterous, but, packed with a talented cast topped by Jason Bateman (Zootopia), it works.
The movie’s meaning, wispy as it is, lies in the movie’s generic title, which is generic to make its point. So, the movie’s based on an annual celebration which political correctness has stamped out, one of scads of sad facts that makes otherwise decent people want to overcorrect and overcompensate and trash the need for any fundamental rules for civilized people (i.e., President-elect Trump). Trump as leader is what happens when you say ‘screw having rules!’
Office Christmas Party provides a version which happens only in the movies.
Perfectly, it happens in that Windy City, Chicago. This allows for its pathetic, bureaucratic and fictitious tech company that’s going down the tubes, the sameness that pervades Chicago and its urban industrial Midwestern bluntness. Everyone in the city and at this company is to some extent cold, biting and miserable. They barely work, let alone communicate about work, and when they do it’s with severe profanity and headphones. The women are especially disgusting and domineering. The men are like mutants amid the matriarchy, ruled by Jennifer Aniston (reuniting with Bateman 10 years after their Chicago-based romantic comedy, The Break-Up) as the ice queen psychobitch who reads The Girl on the Train and cuts everyone down. One office male has been reduced to fetishizing his heterosexual desire in pure infantilism and mother-lust. And he’s one of the good guys.
Thus, it becomes clear off the top that Office Christmas Party exists to send political correctness up, way up, and bring crudeness back to earth in service of something, believe it or not, more like Christmas. With biting humor, repulsive sight gags—see Bateman’s boss character go down on an ice sculpture that dispenses egg nog—and hilarious lines skewering everything from boss ladies and feminism to so-called white privilege, the party gets started, keeps going and comes to an outrageous end.
The huge cast includes Olivia Munn as the love interest, a true producer whose idea may save the failing company, and T.J. Miller as the daft but kind division lead, the Aniston character’s brother, which drives the plot. Standouts include Kate McKinnon as a minivan-driving human resources manager. What makes her funny is that she plays everything stupid and ridiculous about HR and its PC regimen exactly as it is, down to her non-denominational holiday sweater. Other standouts include Courtney B. Vance as a client being wooed, Karan Soni as a tech geek and, hliariously, Jillian Bell as a gun-toting pimp named Trina.
Bateman as a divorced but romantic and idealistic taskmaster is the glue that holds the thing together, delivering his lines with an everyman’s blend of irony and optimism that’s not too dry for a change. Aniston (Love Happens, The Iron Giant, She’s Funny That Way), too, a seasoned sitcom performer like Bateman, knows how to play this super-villain role with archness and sincerity. Together, they make this Office Christmas Party seem as though it might be slightly more plausible, which isn’t entirely possible.
If you don’t mind laughing at a movie that makes fun of HR, PC, Jesus Christ, kinky sex and calling God “Her” and, more to the point, you like the idea of prayers for Prince and David Bowie, having an office party and saying “Merry Christmas!” this might be the movie to see this weekend. For what the world needs right now—a laugh out loud—Office Christmas Party serves a fine shot of black humor.
Author’s Note
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