On a first-day pass, I attended part of the annual summer Objectivist Conference in Orange County, California’s Newport Beach.
Marriott Newport Beach
The town and venue are familiar. I’ve previously stayed at the Marriott Newport Beach for other Ayn Rand Institute-sponsored events. It’s a fine hotel across from Fashion Island with an attentive staff. A Starbucks affiliate capably serves coffee, food and drinks. I was writing on deadline during my visit, so I did not attend the ARI’s full OCON, which unfortunately does not offer a per-talk option. Most of the program was light, however, and did not entice me. Instead, I attended one day’s events and a few OCON affairs. The hotel’s restaurant and bar, where I visited with friends, clients and other intellectuals, were good for meetings.
This year’s conference, sponsored by Midwest manufacturer Relco, celebrates the 75th anniversary of Ayn Rand’s bestselling novel The Fountainhead and “how its themes of independence and integrity continue to resonate with readers of all ages.” Accordingly, English literature professor Shoshana Milgram, Ph.D., whom I interviewed for my exclusive report on Ayn Rand in Chicago, delivered a dynamic lecture (“Frank Lloyd Wright and The Fountainhead: The Full Story”) about the man who designed Fallingwater and the woman who created Roark and Galt and visited Wright at Taliesin.
The OCON lectures are shorter than they were in the past, which is unfortunate. So, Dr. Milgram delivered what can best be described as a dazzling account which breaks new ground in understanding The Fountainhead, Wright and Rand, whom my friend Dr. Milgram has profiled for a forthcoming biography. Hers is the primary impetus for my OCON attendance this year, though I also wanted to hear Aristotle scholar Robert Mayhew, whom I interviewed for his thoughts on Rand’s first novel, We the Living, lecture on humor in The Fountainhead. I had seen both Drs. Mayhew and Milgram present at OCON in Chicago several years ago and I consider them both top, leading new Objectivist intellectuals. Dr. Milgram’s talk at this year’s OCON was excellent, detailing newly disclosed research from Northwestern University archives, Wright’s introduction to Rand by Ely Jacques Kahn at New York City’s Commodore Hotel in 1938 and a fuller account of their exchanges over The Fountainhead.
The talk, which references Ayn Rand’s remarks on a never-reprinted Wright article and secret negotiations regarding the prospect of Wright’s working on the 1949 movie version for Warner Bros., explains why Ayn Rand was emphatic that Howard Roark is not based on Frank Lloyd Wright.
Dr. Milgram provides the literary perspective of Ayn Rand with impeccable skill. In my experience, ever since first attending the Virginia Tech associate professor’s talks in Southern California, she always does. She hunts for facts, goes by reason and, above all, she thinks for herself. Listening to her lecture on the relationship between Frank Lloyd Wright and Ayn Rand’s The Fountainhead was fascinating, filling in gaps in my knowledge and helping me understand why it always seemed (and is often depicted as) one-sided, which Dr. Milgram breaks down and explains. I hope this talk, which is another reason ARI should consider offering single event OCON pricing, becomes available to the general public. The best compliment I can give OCON this year, and I am not saying this because Shoshana Milgram is a friend with whom I’ve worked, is that her presentation for the first time in my life makes me want to read an Ayn Rand biography.
A talk which did not tie into The Fountainhead, “Being a Rational Optimist” by ARI Chairman Yaron Brook, disappointed me. Since ARI founder Leonard Peikoff, who put in an appearance at OCON via video, ended his podcast, I do not listen to podcasts, so I don’t know whether Dr. Brook later expanded on his commentary. But it fell short of making a persuasive case for rational optimism. I attended with the expectation that he would probably convince me and affirm my pre-existing optimism in the future, which is qualified but real. Dr. Brook’s reasons include technology and life expectancy. He cited the fact that math and science are more widely studied. He went into some detail. But he failed to account for the discrepancy with his previous assertions in which he forecast doom or catastrophe within a 20-year time frame. Similarly, he did not mention, let alone address, alarming forecasts in Dr. Peikoff’s 1982 The Ominous Parallels or recent The DIM Hypothesis, originally presented as a series of OCON lectures.
Dr. Brook backed up his points by citing the late Steve Jobs and aviation entrepreneur Blake Scholl, a friend who addressed last year’s OCON in Pittsburgh. In reference to the standard of living, he cited the cost of an iPhone, which he said more than once costs “nothing” (which, especially if you calculate the cost of storage, apps, accessories and services, is not the case). Also, he praised Disney’s Pixar as making some of what he called “the best movies of the last 30 years”, a debatable assertion at best and I say this as someone who agrees with his remarks on Amistad and Argo. I agree with Dr. Brook that Americans generally tend to underestimate the role of the Enlightenment. But Yaron Brook’s argument that there is cause for optimism, which I’m inclined to agree with (and I have my own reasons to be optimistic), was unconvincing.
A better talk was “The Influence of Ayn Rand on My Life and Business Career” by Saxo Bank co-founder Lars Seier Christensen who, after 20 years as CEO, started his own private equity firm, Seier Capital. He made concise, convincing points about his business experience, which he delivered with humor. Christensen explained that there has to be a sense of purpose, or, as he put it, “some intention”, in making a dollar. In other words, he argued, one must choose to think about making money in some narrowly defined sense. He urged OCON’s audience, which ARI estimated at over 600 guests, to remember that there are no guarantees in life, that in business it is best to “fix conflicts on the spot” and he told us not to criticize for the sake of criticism. This is good advice backed up by his wealth of knowledge, experience and success.
Harry Binswanger gave a course on logic based on his book How We Know. The Objectivist Academic Center (OAC), which I attended from 2008 to 2012 when it was a four-year program, held a mixer for alumni, where I was able to talk with OCON speakers Ben Bayer, Robert Mayhew and Aaron Smith. I told Dr. Smith, who earned his Ph.D. in philosophy, that I appreciate his session on idealism in OCON’s “Discussing Objectivism” series. Dr. Smith explored the nature and roots of Ayn Rand’s idealism, fully tethered to characters and themes in The Fountainhead, addressing questions such as: What does it mean to be an idealist? Why does Rand think that ideals are so important to have and to fight for? What is the connection between having ideals and having a self?
I’ve seen Dr. Smith speak on other occasions, such as when former CEO Jim Brown introduced him at an event in Orange County last year, and part of what I value is his ability to express himself as a searching philosophical detective and thinker. In contemplating idealism, for instance, he asked and answered each of those questions, emphasizing Objectivist virtues dramatized in The Fountainhead such as rationality, independence and self-esteem, which he stressed is impossible to exaggerate in terms of its importance. The material, pace and clarity in his presentations is very good. Dr. Smith communicates as if he seeks to be understood by a wide audience, a quality which is rare among today’s intellectuals, especially among Objectivists, whose best arguments can be lost on a general audience because they may come off as smug, defensive and dismissive. Reminding me of what Dr. Peikoff once wrote about addressing only those academics who act like human beings, or something to this effect, Dr. Smith gave an example from when he worked as a gymnastics instructor. He said he told his students not to “inflate your currency”. Aaron Smith argued for delivering true instruction when discussing Objectivism. Speaking about The Fountainhead character Peter Keating, he was not satisfied to merely identify and underscore Keating’s selflessness. He pointed out that Peter Keating failed to scrutinize his own actions and contrast his life with his friend Howard Roark’s.
In keeping with the theme of this year’s OCON — bearing in mind that the ARI and OCON ought also to be scrutinized — this is something every individual should strive to do.
One of my resolutions this year is to add articles more often to my site’s backlog, so I’ve included, if not yet sorted, eight pieces to the Writings tab and checked that item off my list (read my new year’s post here on spring course offerings, fiction and other goals). The newly added articles appear on separate website pages, so they are not blog posts, with hyperlinks on headlines in bullet points included below. For various reasons, I may have to remove these articles at some point, so if you’re interested in any of these, read them sooner than later.
The oldest article went to press in 1999. It’s a roundup of then-newly printed works by Ayn Rand, anchored by two reviews of books published by the Ayn Rand Institute (ARI) peppered with or consisting of essays or writings by Rand, whose birthday, incidentally, is tomorrow. I haven’t re-read my thoughts on those books in years. I think the reviewed versions may have been updated with new editions by the organization’s ARI Press. The reviews are generally favorable. A related article is among the most recent pieces: the first interview with ARI’s new CEO, who discussed seeing Rand lecture near Harvard, where he was enrolled in business studies, his favorite course by Leonard Peikoff and what being an Air Force commander adds to the challenge of leading an organization dedicated to advancing Objectivism.
Three other exclusive interviews appear. Composer Alexandre Desplat, nominated for an Oscar for scoring The Shape of Water, spoke with me from Paris about Charlie Hebdo, Islamic terrorism and his methodology in making music for movies, including predominantly his 2015 movie, Suffragette. That same year, Leonard Maltin, whom I’ve interviewed several times since we met, talked in depth about classic movies and the third edition of his Classic Movie Guide.
I had been asking him for years to do an extended interview in person and, finally, we did, at his home. The interview ended right on time as a TV crew came in for set-up and perhaps you’ll agree with me that it’s our most serious exchange. The third movie-related interview took place a year later with a historian who knows all about the slave rebellion depicted in a controversial film, The Birth of a Nation (2016), which opened to widespread praise in a film festival only to lose critical darling momentum when its writer and director was linked to a rape victim who later killed herself. This pre-Me, Too Hollywood derailment only made me more serious about judging the merits of the movie, distributed by Fox Searchlight, the studio responsible for the powerful 12 Years a Slave, so I’m glad I went to the young scholar who studied the facts which form the basis for the motion picture. The exchange amounts a history lesson on the truth about slavery in America.
A couple of articles report on interviews conducted by others for the annual classic film festival — the only movie festival I’ve consecutively covered — hosted by Turner Classic Movies in Hollywood. Read my account of Club TCM’s detailed tribute to Leonard Maltin, who got personal about his early career in book publishing, movie journalism and an affiliation with the Walt Disney Studios and my 2016 report on TCM’s rare and respectful one on one exchange with one of America’s last glamorous movie stars, Faye Dunaway, who talked about Network, Barfly and The Thomas Crown Affair (1968). Finally, I’ve added an article from a local edition of the Los Angeles Times which I conceived, researched and wrote on assignment. This is the tale of a mid-range shopping mall nestled in a prime location in the shadow and hum of LA’s newest freeways. The property would begin with publicity visits from movie stars and Olympic athletes amid concern about lost business in a neighboring suburb whose government was so frightened that they passed regulations to stop people from shopping there. Its decline began when two of the most feared Los Angeles serial killers stalked — and enticed, captured and murdered — children at the mall.
I’m working on private writing assignments and creating some summer lessons but I’ve gathered a few links to recent Southern California-themed articles for those who might be interested and may have missed reading them online or in the newspaper. My exclusive interview with the Ayn Rand Institute’s new CEO, Jim Brown, who talked with me at his Irvine office about management, including what he’s learned from serving in the United States Air Force, was published in the Los Angeles Times Orange County edition; you can read it here. Brown, whom I think is planning to attend and address next month’s OCON in Pittsburgh, names his favorite Ayn Rand lecture and works by longtime Orange County resident and ARI founder Leonard Peikoff. Brown also identifies what he considers the institute’s greatest success.
The head of another Southern California institute, the newly formed Institute for the Study of Los Angeles (ISLA), recently sat down with me at the host campus quad at Occidental College for a wide-ranging interview about plans for the future. Professor Jeremiah Axelrod discussed his family’s unique migration to LA from Alabama, restrictive covenants and the top places to visit in LA in my exclusive new piece about his thoughts and interesting historical facts about the region. The article, which runs this week, is available to read here.
One sordid chapter in LA history is the serial crimes by the Hillside Stranglers, which was integral to the downfall of one of the city’s first prominent shopping malls. I recently profiled Eagle Rock Plaza, which has since been nicknamed the Mall of Manila but was once a popular attraction for events featuring a teen idol, Olympic gold medalist and a movie starlet. Tenants over the years included Howard Johnson’s, May Company, The Wherehouse, See’s Candies, Bob’s Big Boy, Baskin-Robbins and Vroman’s Bookstore. Before the mall opened, local LA residents were so excited, they demanded to have “Eagle Rock” put in its name and the city of Glendale was so nervous about losing tax revenue to the competition that the local government mandated free downtown parking — before Eagle Rock Plaza even opened. But when two serial rapists and murderers showed up, posing as policemen, stalking a bus stop by the shopping center and picking up their youngest victims there, business slowed. Read the shopping center story here.
Nestled in the hills of Los Angeles is a uniquely compact and inviting home where I first met Dion Neutra. I had spoken with and interviewed the noted architect, who studied and worked with his father, the late Richard Neutra, a few times for articles about modern architecture. The prospect of an extensive interview had previously been discussed though it hadn’t been conducted. This time, when Dion Neutra suggested that we meet for an interview, it was promptly scheduled. I drove to LA’s Silver Lake neighborhood, parked and climbed the steep stairs. I soon met the man who made with his father some of America’s most distinctive and iconic homes and buildings. We sat in a dining room and talked for over an hour. Days later, we would toast to his 90th birthday and, later, talk again about a campaign to restore one of his father’s signature buildings, the Eagle Rock Clubhouse. During our exchange, we managed to cover a lifetime of memories, thoughts and details of his father, meeting Ayn Rand, Frank Lloyd Wright, the Kun house, World Trade Center, Neutra’s Gettysburg Cyclorama and his childhood trauma in Silver Lake. I knew from previous talks that Neutra’s son and heir could be both eccentric and exhausting. This conversation is no exception. Read my exclusive interview with Dion Neutra.
Jim Brown, Ayn Rand Institute CEO
Another inheritance-themed opportunity for an exclusive talk recently presented itself when the Ayn Rand Institute (ARI) named a new CEO. His name is Jim Brown and his background is in business, financial analysis and military leadership. Qualifications alone merited my interest and I immediately welcomed him to the ARI and asked for an interview, which he kindly granted at his Irvine office. Though days into the job, he discussed plans, management philosophy and his favorite Leonard Peikoff works. As an Objectivist who first visited the ARI as a teen when I took the bus to its office on Washington Boulevard in Los Angeles, who has worked and studied with the ARI, I want my readers to read the interview and consider supporting the ARI under Jim’s new management. An edited transcript of my conversation with the center for Objectivism’s chief executive officer—Jim Brown’s first interview as ARI’s chief executive officer—appears on Capitalism Magazine (postscript: read a shorter version in the Los Angeles Times here).
And I am delighted that my favorite filmmaker—director Lasse Hallström—granted to me his only interview about his successful motion picture, A Dog’s Purpose, before returning to making Disney’s adaptation of the beloved Christmas ballet The Nutcracker. I am often enchanted by Mr. Hallström’s work. I always anticipate whatever he chooses to make. And I am privileged to have interviewed Lasse Hallström before. This time was particularly rewarding.
Lasse Hallström
Lightness in his pictures is perhaps the most indelible quality. Think of the French village in Chocolat or Venetian escapades in Casanova. The way he guides an ensemble cast to perfect union for an exalted or higher cinematic goal—around foodmaking in The Hundred-Foot Journey, liberation in What’s Eating Gilbert Grape, serenity in An Unfinished Life, healing in The Shipping News, and the power of a dog to align man to what’s here and now in A Dog’s Purpose—should also be known. All of his movies, which began with his film about ABBA, are wonderfully musical including A Dog’s Purpose. But what, besides unity, love and lightness, is more pressing and relevant now than the seriousness with which he films his stories? This unique blend by a Swede who lives in America is often mistaken strictly as sweetness, which one should expect in a circus culture of cynics, celebrities and smears. The interview with Lasse Hallström, the artist who to me best expresses in today’s movies the American sense of life, is one I know I’ve earned and deserve.
I did not plan the pieces as a thematic trifecta, though it occurs to me that these three interviews explore man’s mastery of living in accordance with nature, man’s mastery of advancing the ideal and man’s mastery of recreating both in movies. Read, think and enjoy.
Author’s Note
Thank you for your interest in my writing.
I write fiction and non-fiction. Read my blog at left for informal posts on news, ideas and the culture. I am available for contracting, so if you're interested, please start here.
I welcome feedback. To let me know your thoughts, please feel free to contact me.