The second season of CNN’s The Hunt with John Walsh premiered this week. After an extraordinary first season resulting in catching—and, in some cases, killing—criminals, it gets better.
There’s nothing else like The Hunt with John Walsh on television. The 60-minute original program hosted by anti-crime activist and America’s Most Wanted creator and ex-host Walsh, father of Adam, a child who was abducted and murdered, is a rare, non-fiction procedural program with unyielding moral judgment. Whatever legitimate criticism applies to Walsh, who appears in ads as a celebrity spokesman, too, The Hunt, like America’s Most Wanted, gets real results. The program, produced in cooperation with police detectives, who are also not above reproach on the show, has already led to the arrest, capture or killing of several of its first season criminals, who include those accused, detained or convicted of sexual assault, vehicular manslaughter, attempted murder and mass murder. Walsh tells the story of a crime from the victim’s perspective and solicits tips, assuring the viewer that “you can remain anonymous”—before each commercial break. Tastefully produced, and serious, not gratuitous, The Hunt lets each victim’s loved one or loved ones speak in their own voice.
Moral judgment extends to those who ignore, deny, evade, enable or abet crime, too, however, as is the case with the second season premiere’s episode profiling double murderer Egyptian Moslem Yaser Abdel Said, whose wife of 20 years all but brought her beautiful young daughters back from Oklahoma to Texas to be slaughtered by their father—whom they had accused of sexually abusing them—in what was apparently what’s known in Islam as an “honor killing”. More in this episode should have been reported about Said’s Arab culture and the role of his religion. But, other than John Walsh, who else on cable television, let alone broadcast TV, has the courage to call criminals “bastards” at the start of each episode, mean it to the end of seeking justice and claim this successful a track record? Unlike the predator trap show on NBC networks, The Hunt is not a sting to entice the criminal to commit the crime. Walsh deals in facts, law enforcement, crime recreations, certain victim perspectives and, in particular, the relentless pursuit of apprehending the fugitive from justice. Hence, the title The Hunt, which proceeds without an air of vigilantism. The show is relatively new—America’s Most Wanted ran for 25 seasons—so its effectiveness should be measured, scrutinized and judged, like sex offender laws, over time.
But a show predicated on getting justice for the innocent when injustice by the guilty often goes unpunished is an outstanding addition to TV programming. Walsh talks about being the victim of crime and shares insights based on what he’s experienced, learned and investigated since he lost his son in 1981 and the personal viewpoint adds to the show’s credibility. Like his predecessors in true crime television, Robert Stack and other fine hosts, Walsh deserves praise for seeking a responsible approach to solving, preventing and punishing crime. The fact that he survives a devastating, personal loss underscores the importance of his work.