Maltin2015MovieGuidefinalThis is the last edition of Leonard Maltin’s Movie Guide, which is available tomorrow in both mass market and trade paperback (click on the book jacket image to buy it on Amazon).

The reference book is an excellent resource. Each motion picture is entered alphabetically in boldface, in fine print, with parenthetical year of release, an indication if the movie’s in color, running time, director and cast and whether it’s on DVD or other home entertainment formats. The Movie Guide, which film scholar Maltin tells me is compiled and cross referenced by a staff of 20 or more, also includes trade association ratings and awards information (which don’t mean much to me). A plot and key character synopsis is bundled with a few words of opinion, accompanied by a star evaluation, about the picture. The final edition of Maltin’s Movie Guide includes an author’s introduction and guide to symbols.

Leonard Maltin (read my 2011 interview here and last week’s interview here) is an extremely knowledgeable source for movies, especially Disney movies, and Hollywood history. At age 63, he still writes books and posts for his Web site, teaches at University of Southern California’s film school and does regular media appearances. His work is fact-based and detail-oriented. The best part of his Movie Guide is its ability to identify and address popular and essential aspects of a movie and its legacy. Occasionally, though not often, an insight comes through which has not previously been named elsewhere by other writers. Maltin primarily deals here as a reporter of facts, whatever one thinks of his conclusions about movies, and his attention to what’s essential about a movie and accuracy is impeccable, especially when compared to today’s sloppy online copy-editing and pathetic lack of proofreading. As a movie journalist, I never rely on movie Web sites alone (if at all) for information. Maltin’s Movie Guide is best for crucial research and cross referencing.

The final 2015 edition is no exception. Though reviews tend to be conformist and he generally likes what most critics like, and scorns what most critics scorn, his analysis is always thoughtful and comprehensive. This handy volume is essential for anyone who cares about movies – watching, enjoying and studying them – and it is evident that he takes movies seriously. Too many regard movies as a cavalier, unserious indulgence or, alternately, as inscrutable works of art. Leonard Maltin, whose best work I hope is yet to come, understands that movies have the potential to be powerful and are meant for general audiences all over the world. His Movie Guide, with over 15,000 entries (13,000 on DVD), is the movie industry’s most definitive yet accessible expression of this wonderful truth about movies.